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Getting to the Heart of the Health Effects of PollutionResearchers at the University of Rochester, US, have taken an elderly groups of rats on the rodent equivalent of senior citizens road trip to find out how air pollution breathed in by motorists might be harmful to health. Alison Elder and her team wanted to understand why heart attacks seem to occur more often on days when the air quality is bad. They took a collection of aged rats with high-blood pressure on a six hour, 320-mile drive west of New York. Throughout the journey and for five days afterwards the rats, which breathed the same air as any road-user would along the route, had their heart rates, electrocardiograms and blood pressures measured regularly. The study revealed that the well-travelled rats showed a 10% drop in heartrate and a 70% decrease in the responsiveness of their autonomic nervous systems, the neural network that controls subconscious processes like breathing, blood pressure and heart rate. "The fact that exposure to air pollution can change the heart rate, independent of other factors, is a cause for concern," Elder said. "It's important to understand that these changes are taking place outside of the lung. Air pollution is either having a direct effect on the heart in rats or is altering something within the circulatory system." Scientists suspect that the culprit could be ultrafine "nanoparticles" pumped out by engines. They're 60,000 times more numerous than the larger, coarser particles such as PM10s and PM2.5s, which are routinely measured as an index of air pollution. These tiny particles are likely to be able to penetrate deeply into the lungs and enter the circulation. By interacting with blood platelets, which control blood clotting, the particles could increase blood stickiness, making it more likely to form an artery-blocking clot. 4th Feb 2007 How colour can help in the mating game?Chris - Now for the final part in our science of colour series, Naked Scientist Anna Lacey has been looking at how animal coloration can be helpful in finding a mate, and how some colours that animals use are completely invisible to the human eye. But to kick us off, Anna's going to try a little experiment, guess where? In her favourite place, the pub. Anna - I've come down to my local pub to see if I can woo some unsuspecting males with the colour of my clothes. So excuse me there gentlemen, there's a nice table of three gentlemen here, what do you think of my maroon stripy t-shirt and my blue jeans? Man 1 - Very attractive actually. I'm really liking the stripes on your top. Anna - Well thanks very much, that's very kind. And what about you? - I would say something very similar. I think the maroon suggests a very bright colour and a very vibrant colour. Suggests a lot of fun. Anna - So now to the third gentleman here. What would you think about me based on the colour of my clothing for potential mating opportunities and perhaps being a partner, whatever? Man 3 - Well my girlfriend would kill me for saying this but I very much like the maroon, but that the denim's a little bit standard. Anna - Ok, well that actually turned out quite well for me. Thanks for that guys. But it turns out that a whole range of animals, and birds in particular, actually use their own version of clothes or brightly-coloured feathers to try and bag a mate. So to find out why these colours are so important, I went to the botanic gardens to speak to Cambridge University zoologist Nicola Nadeau. Nicola - Why females would be particularly attracted to these colours is an area of debate at the moment. But it's thought they could indicate the fitness of the bird. So if these colours are particularly costly to produce, then that could indicate to the female that I'm a particularly strong and healthy male. Anna - Isn't it also the case that the colours that we see in birds aren't necessarily what the birds are seeing? Nicola - Yes, so we've only got three types of photoreceptor in our eyes and these can detect green and red and blue. Whereas birds have a fourth, and this can detect ultraviolet light, which we can't see. So for example blue tits, they look the same to us but the males have these ultraviolet ornaments that we can't see. Anna - So are they using that again to try and attract the females? Nicola - Yes, so it's thought that healthier males have brighter UV ornaments and the females can detect these and use them in mate choice. Anna - Lots of animals use UV ornaments and patches to attract mates, but how on earth do you go about making the colour UV in the first place? Well it turns out that you can actually do it in two different ways. Now one of these is with pigments, so something equivalent to a paint, and the other is by something called structural colour, and for that to work you need to use a process called interference. Now this works by having tiny barbs or scales that act a little bit like reflectors, and these are spaced at specific distances so they reflect certain wavelengths or colours of light, and cancel out all the others. Mike Majerus, a Professor of Evolution, explains a little bit more about this and how it works in butterflies. Mike - Butterflies are in the insect order Lepidoptera, which simply means 'the scale wings'. The wings, if you've ever touched a butterfly with your fingers, you get all these scales just rubbing off and they're literally covered with thousands of these tiny scales. That gives them this enormous capacity for fabulous colour patterns. Anna - So how does the colour actually form through the structure of those scales? Mike - The scales, they're like tiles on a roof. They're placed very close together at an angle, and at the top end, you'll get a tiny gap. Now the distance between it causes an interference effect as white light hits it, and just by putting the scales at greater or lesser distances, you can get different physical reflectances. Anna - So what kind of colours can you get with this structure with the scales? What's the potential for that? Mike - Oh for the reflectance patterns, they can be virtually any colour, but the most common are blues and greens. Once you go into the chemical pigments, you can get any colour you like; all the colours of the rainbow. Anna - But for birds like blue tits, some pigments are actually quite rare. Here's Nicola again. Nicola - Well in general, there aren't any blue pigments that are used in birds so all blues will be structural. Anna - So the garden blue tit, it's not actually got any blue dyes if you like in its feathers. It's all to do with the structure of its feathers reflecting light in a certain kind of way. Nicola - Yes exactly. So if you took the feathers and mushed them up, they wouldn't appear blue. It's just purely the structure of the feathers that's producing that colour. Anna - So it turns out that colour's not just about slapping on a bit of paint. Because of all the different colours out there, some are made by pigments, some are made by tiny structures in the wings and feathers of the animals, and some colours just need a bit of both. And what's even more amazing is that there's a whole load of these colours that we can't even see. But what we have seen over the past few weeks is that colour spans a whole range of disciplines from biological greens to chemical purples, and also how it's completely revolutionised the world of fashion, medicine and got far enough under our skin to change our behaviour. So by just looking at the word 'colour', what we've actually done is taken a journey through physics, biology, chemistry and psychology. Meaning that we've not only learnt about the science of colour, but a little bit about the diversity and colour of science. February 2007 People who don't Feel PainDr Geoff Woods, Cambridge Institute for Medical ResearchChris - Geoff recently published a paper on people who seem to congenitally, in other words have a genetic preponderance, not to be able to feel pain. So tell us about these people. Geoff - We came across a bunch of children who were reported never to have felt pain. At first we didn't believe that this was the case, but we slowly saw a number of these children and they and their parents reported that they'd never felt pain of any type throughout their lives; whether they'd fractured bones, burnt their skin, scalded themselves drinking boiling water. It was a huge problem for the parents bringing these children up and later on for these people for when they became older children, teenagers and later adults. Furthermore, there was nothing that we could find wrong with their nervous system. They had normal intelligence, they had normal nerves, the nerves seemed to conduct signals normally, their brain seemed to be put together normally, and it didn't make any sense by the current theories of how pain is controlled. So we set about trying to find if there was a genetic disease that they had, because it wasn't all people in the family that were affected by this condition; it was just some members. So we used three families where the parents were first cousins, so-called consanguineous relationships. Using those three families we mapped the condition down to a gene called SCN9A, and in each of our three families we found a different fault in that gene that abolished its normal function. Chris - Where is that gene turned on? What cells carry that gene and switch it on? Geoff - It's not entirely clear at the moment. It's probably expressed in a number of parts of the brain and in a number of different types of nerves, but it's very highly expressed in the pain sensing nerves. It probably has a redundant function elsewhere, but in the pain sensing nerves it seems to be expressed only at the very tips of those nerves and it's at the tips that pain is sensed. Chris - So what does it do? How does it work? Geoff - All pain is tissue damage, so it's very important that a species knows it's being damaged and can stop itself from being damaged. It seems there are a whole series of proteins that detect various types of damage, be it hot, cold, pressure, etc. These seem to be integrated together by this SCN9A, which seems to be an amplifier that takes these small initial tissue damage signals and turns them into a much larger sodium impulse and a nerve can fire. The brain can then sense that there's tissue damage going on and avoid it. Chris - So it's almost like an engine. You turn the key but the engine doesn't start, and what you've got in your nerves is lots of starter motor activity but there's no firing of the engine. Geoff - Absolutely right. Chris - So why should these families have this? What's happened? Where did this change come from? Geoff - I guess it's just the random mutation that happens in the human genome. Unfortunately if the mutation happens in an essential gene, it's going to give rise to damage. Chris - Why is it so uncommon? Geoff - I don't know. Some diseases are desperately rare and some are common. We usually use the excuse that if the disease is common, there must be some benefit to carrying that disease, but it's very unclear. Probably this gene's very important and any mutation in it is not well tolerated and is usually got rid of as time goes by. Chris - Now you mentioned that the people who you spotted that had this problem couldn't feel any pain. They had inbred within their families so that means one person was carrying one dodgy copy of the gene and they got together with someone with another dodgy copy. When you put the two together, you end up with two dodgy copies of the gene, which is why they can't feel pain. Geoff - Yes, that's absolutely right. We all have two copies of most genes. Just having one faulty copy is fine because as long as you've got one good copy of the gene telling the body what to do, everything seems alright. The parents of these children have no problems at all with their pain sensation. Chris - But what I'd like to ask Geoff is that if you normally have two copies of this gene and they're working and switched on, does this mean that if I married someone who has one copy working and had children with them, that you'll get kids that only have one copy of the gene working and therefore they'd be less sensitive to pain than I would be? Geoff - No that doesn't seem to be the case. Most diseases like this are called recessives and carriers of recessives are very common in the general population. Carriers have no minor features of the disease they carry; they're just normal. So we don't think it matters if you carry a fault in this gene. We have extended our studies as we discussed prior to this programme, looking at changes in the gene that occur called SNIPs - variants that go in almost all genes. Chris - So that's just natural variation people have in the population. It doesn't switch the gene off, it just means it maybe works slightly differently from one person to the next. Geoff - Well we've asked that very question. Is there any link between the degree of pain people feel and changes in this gene which occur in the normal population. And it seems that this gene is one of about three or four genes where small changes in its function change our pain thresholds. Chris - So if you've got a gene that only seems to make a difference to your nervous system when it's in a pain-conveying nerve fibre, does this gene explain why some people for instance have an incredibly high pain threshold, while other people seem to wince at a gnat flying past them? Geoff - I think it does and it could be one of the explanations. There's a number of genes now that have been found to alter people's susceptibility to pain. Initially people were thought to lack moral fibre et cetera, but it seems that there's a strong genetic basis to feeling pain differently. It's always been the case that some children cry when blood's been taken and people say that they're not being brave. Some women need a lot of pain control when they're having babies while others need very little. It now actually seems that these people have different abilities to tolerate pain. Chris - What were the consequences for the people in Pakistan in the families you studied? Geoff - Much greater than being rather stoic. Chris - Because it seems rather exciting because when I go running, it's actually the pain of being grossly unfit that holds me back. Could these people become super athletes for example because they can't feel that they've got this heart-wrenching stitch and their legs are about to collapse and feel as though they're gasping for oxygen? Geoff - We thought along the same lines as you, that pain was holding us back from being able to do better things. But in fact no, pain is actually there for a very very good purpose. Pain is telling you that you're working too hard and starting to cause tissue damage, and if you carry on you'll either break bones, tear muscles or fall down exhausted. These children and some adults we've now met with this condition have none of those restraints on their body and so they continually damage themselves. Chris - They do dangerous things. Geoff - Not necessarily. They don't deliberately do dangerous things. When they're children they'll do stupid things because they don't know to stop running into walls and jumping off high areas. Chris - One of them jumped off a roof and died, didn't he? Geoff - Yes that's right and he did that on his birthday because he'd had none of the restraints the rest of us have to stop us doing dangerous things. He was just trying to give his friends a great show on his birthday. We've met some adults with this condition now and they'll tell terrible stories about the types of injuries they've put up with because they didn't want to not go on a school trip or appear unusual, and yet they'd have broken major bones and not be able to stand up. They'd have burnt their lips on boiling water. Chris - They'll do things like walk on fire, and literally do it without any jiggery pokery or tricks. They can walk on hot coals and things. Geoff - They will and they won't feel pain, but they'll do as much damage as if you did it. Chris - So we've proved that it can be bad if you have all your pain turned off all the time, but it strikes me that you've found something incredibly interesting because there are lots of people who in their lives have to go through incredibly painful things. Anaesthetics are not brilliant, are they? They're very non-specific, they cause lots of side effects and if you take things like morphine or heroin for pain killers they can switch down your heart and breathing so that people die of heart and respiratory depression. If you've got something that has the power to inactivate just this part of your nervous system, can we exploit that to make an amazing drug? Geoff - I certainly hope so. Chris - You have a patent on it already I suppose! Geoff - No we don't have a patent on it at all. We haven't exploited this result at all and are interested in it academically. Others hopefully will and I know that drug companies are already looking at this sodium channel and many other similar ones. The hope is that if people who have none of this protein feel no pain but don't have other side effects, then if you block this protein in a normal person, they'll have a pain killer without side effects. That's exactly the hope that drug companies are now working on. Chris - Is that feasible? Geoff - We think so. The problem is that there are about eleven of these sodium channels and they are very similar to each other. So the problem's going to be getting drugs that are totally specific to just one of these sodium channels and doesn't spill over and block other sodium channels. February 2007 Dealing with PainDr Cathy Stannard, Frenchay Hospital, Bristol
February 2007 What Chillies have in common with TaratulasDr David Julius, University of California, San Francisco
February 2007
Why sausages split lengthwaysAlthough it's freezing in England right now, on the other side of the world the sun is shining. So in honour of the sun-drenched Antipodes, Derek goes for a BBQ at the house of our very own Ozzie Hugh Hunt. What you need A BBQ What to Do
2 - Throw on a few sausages and let them cook - Don't make holes in them 3 - Stand well back as we are hoping the sausages will split and when they do this they will spit. 4- Keep an eye out for sausages with split skins. In which direction do they split? What may HappenSausage skins split lengthways down the sausage much more often than they split around the sausages. What is going on?You can think of a sausage skin as being like a pressure vessel. It's actually holding in all the contents that are expanding with the heat. When the skin suddenly bursts, it's going to burst in the direction where the stress is highest. The stress is really just the amount of tension there is the skin. It turns out that for a pressure vessel, the stress going around circumferentially is twice as high as the stress going lengthwise. So that means that it tends to rip along the length because the circumferential stress is twice as high as the longitudinal stress. The same thing happens when you put a can of beer or a can of coke in the freezer: it will also burst along its length. We can see this effect in other ways too. For example, you have gas pipe lines going thousands of miles across Alaska - a bit like a giant sausage. The one thing you have to be really careful about is that you don't get a burst pipe. If it starts to burst, the burst will go right along the pipe for hundreds of miles. The people in the know will say that the pipe is 'unzipping'. It's absolutely catastrophic because it releases gas over a large area. But going back to our sausages - the best way to prevent them splitting is poking them, but that lets out all the delicious juices. So you really want to find a compromise, and this is to cook them at a nice gentle rate so they don't burst.
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