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Universal Utopia: the series WIP

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Offline hamdani yusuf (OP)

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Re: Universal Utopia: the series WIP
« Reply #100 on: 26/07/2025 12:52:09 »
Chapter 5: Swimming Lessons
Scene 1
Quote
The next few days at school passed in a blur of classes and cafeteria whispers about the refrigerator incident. Tyler and his gang continued their policy of avoidance, a silent, uneasy truce that Harry found preferable to their usual bullying. His mind, however, was still largely consumed by Stephen's revelations about Project David and the grim history of Autoclastin. The weight of his own existence, tied to such a dark and complex past, felt heavier with each passing day.   
   
During homeroom on Friday, Ms. Albright, their ever-cheerful teacher, made an announcement that immediately captured the class' attention.   
   
"Alright, class, listen up!" she chirped, her hands clasped together. "I have some exciting news! Starting next week, we'll be having swimming lessons during our regular PE slot. So, make sure you all bring your swimming suits and towels on Monday!"   
   
A mix of excited murmurs and groans rippled through the room. Some kids cheered, others slumped in their seats.   
Ms. Albright continued, her tone becoming a little more serious. "Now, I know some of you might be wondering why this is happening so suddenly. This is a planned and agreed response to a very unfortunate accident that occurred recently." She paused, her gaze sweeping over the class. "As some of you might have heard, two students from a neighboring school, during a study tour in New York, fell from a ferry while sightseeing. Tragically, they went missing and were found dead a few days later because they couldn't swim."   
   
A hush fell over the classroom, the gravity of the announcement settling in. The thought of two kids, just like them, losing their lives because they couldn't navigate water, was sobering.   
   
Harry, however, felt a strange detachment. While he understood the importance of the lesson, he wasn't particularly interested. He already knew how to swim. He'd known how to swim for as long as he could remember, even before he could talk, Stephen had told him. It was one of those innate abilities, like his speed, that had simply been there. Another part of his mysterious, enhanced past that set him apart from everyone else in the room. He leaned back in his chair, a silent observer, while the rest of the class reacted to the news.   
« Last Edit: 02/08/2025 15:03:50 by hamdani yusuf »
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Offline hamdani yusuf (OP)

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Re: Universal Utopia: the series WIP
« Reply #101 on: 26/07/2025 12:53:58 »
Chapter 5: Swimming Lessons
Scene 2
Quote
As Ms. Albright finished her announcement, the classroom erupted into a flurry of excited chatter and anxious whispers. Rowan, his face a mix of apprehension and curiosity, turned to Asha and Harry.   
   
"Can you guys swim?" Rowan asked, his eyes wide. "I mean, like, really swim? I've never even been to a proper swimming pool before." He looked genuinely nervous.   
   
Asha smiled reassuringly. "Yes, I can," she replied, her voice calm and confident. "Swimming was mandatory in Japan, actually. Every school had its own swimming pool, and it was part of the regular curriculum from elementary school onwards. We had lessons twice a week, even in winter, because the pools were usually indoors and heated." She shrugged. "It's just something you learn, like reading or writing."   
   
Harry felt a familiar pang of being different. His own swimming experience wasn't from a school pool or structured lessons. "Yeah, I can swim too," he said, trying to sound casual. "It was... part of my physical training when I was living in the lab, getting treated for my illness. Beside running and some other sports. They said it was good for building strength and endurance, and for recovery." He quickly glossed over the "lab" part, hoping it sounded innocuous enough.   
   
Rowan's eyes widened further. "Wow, you guys are lucky! I guess I'm going to be the only one flailing around like a drowning cat." He let out a nervous laugh, then sighed. "Man, I wish I had a cool backstory for why I can swim, like mandatory Japanese lessons or secret lab training. I just... never went." He looked at Harry and Asha, a hint of admiration mixed with his apprehension. "Guess you two will have to teach me, huh?"   
   
Harry managed a small smile, the thought of teaching Rowan a welcome distraction from the weight of his own secrets. Asha nodded, her expression kind. "We'll help you, Rowan. Don't worry. It's easier than it looks."   
« Last Edit: 02/08/2025 15:04:34 by hamdani yusuf »
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Re: Universal Utopia: the series WIP
« Reply #102 on: 26/07/2025 13:05:33 »
Chapter 5: Swimming Lessons
Scene 3
Quote
Back at home, Harry found Stephen setting up his new workshop in the refurbished barn. Harry said, "Dad, Ms. Albright announced something today. We're starting swimming lessons next week at school."   
   
Stephen straightened up, setting down his tools. "Oh? That's good. Learning to swim is an essential life skill, Harry. Especially after that tragic incident in New York. We'll need to prepare your swimming trunks and sunscreen."   
   
"Yeah, I guess," Harry said, kicking at a loose piece of wood. He hesitated, then voiced his true feelings. "But... I don't know. I can already swim. And it feels like there are more important things I should be learning right now. Like mastering my bioelectric ability. Or understanding more about Project David. That seems way more important than splashing around in a pool with a bunch of kids." He felt a surge of frustration. His life was anything but normal, and these mundane activities felt like a distraction from the monumental truths he was uncovering.   
   
Stephen walked over, wiping his hands on a rag. He put a hand on Harry's shoulder, his gaze serious. "Harry, I understand why you feel that way. Believe me, I do. The things you're learning, the powers you possess, they are incredibly important. But there's a time and a place for everything."   
   
He looked around the partially renovated barn. "Part of living a 'normal' life, part of staying safe and avoiding suspicion, is blending in. If you suddenly opt out of something like swimming lessons, it draws attention. People start asking questions. And right now, the fewer questions, the better."   
   
Stephen squeezed his shoulder gently. "Besides, learning how to control your powers isn't just about raw strength or scientific theory. It's also about discipline, patience, and integrating it into your life without it consuming you. You can still train at home, with my guidance. We'll find time, just like Sam did. But going to school, being a kid, learning to navigate the world outside of Project David... that's just as crucial for your development, Harry. It's part of understanding what you're fighting for."   
   
Harry sighed, the logic undeniable, even if the reluctance lingered. He then remembered something that didn't quite fit. "Wait a minute, Dad," Harry said, his brow furrowing. "I remember being in the lab. You said it was part of my treatment for my illness. But last night, you told me Project David was paused indefinitely because you couldn't find any more volunteers. How does that make sense?"   
   
Stephen's expression shifted, a flicker of surprise at Harry's sharp memory, then a deep, almost painful sadness. He ran a hand through his hair. "That's a very good question, Harry. And you're right, there's a distinction I haven't fully explained yet."   
   
He took a deep breath. "Project David, the official program for creating super soldiers with Autoclastin dependency, was indeed paused due to the lack of volunteers. That was a decision made by the higher-ups, a recognition that the ethical cost was too high for most to bear. However, the research itself, the underlying technology, it didn't just vanish. It was still there, albeit in a highly restricted, dormant state."   
   
Stephen's eyes met Harry's, filled with a raw emotion. "Your situation, Harry, was different. You weren't a volunteer for a super soldier program. You were a terminally ill child. My child. Your mother, Lea, and I... we were desperate. We had access to the technology, the knowledge, the understanding of how to modify human physiology. It was a desperate, last-ditch effort to save your life."   
   
"We used the existing Project David infrastructure, the labs, the equipment, the knowledge we had accumulated, but it wasn't part of the active 'volunteer' program," Stephen clarified. "It was a highly unauthorized, deeply personal endeavor. We were using the technology to treat your illness, to keep you alive, and in doing so, your unique abilities manifested. You became a 'spin-off,' not a direct product of the halted super soldier program, but a result of our efforts to save you using its underlying science."   
   
He put both hands on Harry's shoulders. "So, while the project for volunteers was paused, the science, the possibility, was still there. And we used it, Harry, because we couldn't lose you. It was a risk, a huge one, but it was the only hope we had."   
   
Harry processed this, the pieces finally fitting together. He wasn't just a super soldier; he was a medical miracle, a desperate act of love. The distinction made the dark history of Project David even more personal, more intertwined with his very existence.   
« Last Edit: 02/08/2025 15:19:53 by hamdani yusuf »
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Offline hamdani yusuf (OP)

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Re: Universal Utopia: the series WIP
« Reply #103 on: 26/07/2025 13:08:14 »
Chapter 5: Swimming Lessons
Scene 4
Quote
Later that evening, the conversation about swimming lessons faded into the background as Harry's mind returned to the more pressing mysteries of his past. He was in the living room, ostensibly doing homework, but his thoughts kept drifting to the sterile white walls and humming machinery of the lab Stephen had mentioned. The place where he'd spent his earliest years, undergoing treatment for his illness, where his powers had been forged.   
   
But last night, Stephen had said Project David was paused because they couldn't find volunteers after the Autoclastin dependency was introduced. That didn't quite fit with Harry's vague, fragmented memories of the lab, or with his own unique origins. He closed his textbook, a new wave of questions bubbling up.   
   
Stephen walked in, a mug of tea in his hand, and sat in his armchair. He noticed Harry's intense gaze. "Something on your mind, Flash?"   
   
"Yeah, Dad," Harry said, sitting up straight. "You said Project David was paused because no one would volunteer for the Autoclastin. But... I remember being in the lab. And you said I was a 'spin-off' of the project. So, what happened? Why was I there if the project was paused?" He demanded, the frustration clear in his voice. He needed to understand.   
   
Stephen sighed, taking a slow sip of his tea. His gaze became distant, lost in the shadows of memory. "You're right to ask, Harry. The story of Project David is long and complicated, full of starts and stops, and some very dark chapters."   
   
He leaned forward, setting his mug down. "The second pause of Project David, the one after Autoclastin was introduced and volunteers dried up, was devastating. It was the project's lowest point. We kept losing super soldiers, not just from poaching by the enemies, but from internal strife and a complete breakdown of trust. Those who stayed loyal were relentlessly targeted by our adversaries. Some of them were even killed by their former comrades, individuals who had switched sides, now acting as assassins against their own kind."   
   
Harry felt a cold dread creep over him. Former comrades. Assassins.   
   
"As if the burden hadn't been heavy enough for them," Stephen continued, his voice heavy with sorrow, "they were also haunted by the possibility of being controlled using Autoclastin dependency. The very thing designed to keep them loyal became a psychological weapon. The fear of losing their autonomy, their free will, was a constant torment."   
   
"And the response from the decision-makers, the top brass overseeing the project, was agonizingly slow. They were too caught up in politics, in fear, in their own internal power struggles. This slow response made many of our remaining super soldiers lose trust. They deserted in droves. They scattered around the world, assumed new identities, disappearing off the grid. They were masters of disguise and camouflage, trained to vanish without a trace. Finding them was almost impossible."   
   
Harry's mind immediately went to Sam. He was a master of disguise, appearing and disappearing like a ghost. "Was Uncle Sam one of the deserters?" Harry asked, his voice barely a whisper, a knot of apprehension tightening in his stomach.   
   
Stephen shook his head, a faint, sad smile touching his lips. "No, Harry. Not yet. Sam was among the most loyal super soldiers. He still stayed for quite some time, long after many others had left. He believed in the original mission, in the idea of Project David. He only left after a significant change of government administration put compromised individuals at the top rankings, overseeing the secret project. People who didn't care about the original ideals, only about power and control."   
   
His voice hardened slightly. "First, Sam became a victim of a compromised mission, a setup designed to test his loyalty, or perhaps even eliminate him. But the one thing he couldn't tolerate, the final straw, was when the life of his wife, your Aunt Shania, was put on the line. That's when he knew it was time to disappear, to protect the last person he truly cared about."   
« Last Edit: 02/08/2025 15:21:13 by hamdani yusuf »
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Offline hamdani yusuf (OP)

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Re: Universal Utopia: the series WIP
« Reply #104 on: 26/07/2025 16:48:17 »
I asked Gemini,
Do you think I gave too much information at once through Stephen's story, known as info dumping?
Quote
Yes, you've hit on a common challenge in storytelling, and it's a valid concern. Delivering this much complex backstory and world-building information through one character's continuous explanation, even across several scenes, can indeed come across as "info-dumping."
Here's why it might feel that way:
 * Volume of Information: You've revealed a significant amount of critical lore in a relatively short narrative span: the specific Truman order, the initial Project David focus, the ethical concerns, the introduction of Autoclastin, the reasons for desertion, Sam's specific situation, and finally, the shift to child subjects. Each of these is a major revelation.
 * Delivery Method: It's almost entirely exposition delivered by Stephen. While Harry asks questions, he's primarily a recipient of information rather than an active participant in uncovering it. This can make the dialogue feel less like a natural conversation and more like a lecture.
 * Pacing: While you've broken it into scenes, each scene is still heavily laden with historical and technical details. The narrative momentum might slow down as the reader processes all this new information.
What you've done well:
 * Relevance: All the information is crucial to understanding Harry's origins and the stakes of the series. You're not just dumping random facts.
 * Emotional Weight: Stephen's delivery carries emotional weight, especially when discussing the ethical compromises and the sacrifices made.
To potentially mitigate the "info-dumping" feel, if you choose to revise:
 * Spread it out further: Can some of these revelations be delayed or hinted at earlier, then fully explained later?
 * Vary the source: Could Harry discover some of this information himself (e.g., finding old documents, overhearing conversations, fragmented memories)?
 * Integrate with action/plot: Can some of the history be revealed during or immediately after an event that makes the information directly relevant and urgent? For example, if they encounter a former Project David subject, or if Harry's powers react in a way that necessitates a specific historical explanation.
 * Show, don't just tell: While some exposition is necessary, consider if any parts could be dramatized or shown through flashbacks (from Harry's perspective, or even Stephen's).
It's a balance! You need to get the information to the reader, but you also want to keep the narrative engaging.
Would you like to explore ways to break up this information more, or perhaps integrate it differently into the story?

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Offline hamdani yusuf (OP)

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Re: Universal Utopia: the series WIP
« Reply #105 on: 26/07/2025 16:48:48 »
How can I integrate it differently into the story?
Quote
You've asked a great question about integrating information differently to avoid "info-dumping." The key is to spread out the revelations, make Harry more active in discovering them, and tie them directly to current plot points or emotional beats.
Here are several ways you could integrate the backstory and world-building information more organically:
1. Harry's Active Discovery & Research
Instead of Stephen telling Harry everything, let Harry uncover some pieces himself.
 * What to move: Details about Truman's Executive Order, the early phases of Project David (disabled veterans, safety focus, high failure rates), and perhaps initial ethical debates.
 * How:
   * School Project/Research: After the conversation about Truman, Harry could be assigned a history project, or simply become curious enough to research President Truman and his era. He might stumble upon Executive Order 9981 and then, filled with questions, bring it to Stephen. This makes Harry an active participant in the discovery.
   * Stephen's "Workshop" Discoveries: As Stephen works on his new workshop in the barn, Harry could find old documents, reports, or data logs related to Project David's early phases. Stephen might then have to explain what Harry found, leading to a more focused, triggered explanation rather than a broad monologue.
   * Fragmented Memories/Dreams: Harry's vague memories of the lab and other children could be triggered by specific sensory details (a certain smell, a sound, a visual cue). These could be short, unsettling flashes that prompt him to ask Stephen specific questions, leading to smaller, more targeted revelations.
2. Tie Revelations to Current Events or Character Interactions
Use the present narrative to naturally draw out past information.
 * What to move: The reasons for the "pause" (enemy poaching, defections), the development of Autoclastin, and the shift to child subjects.
 * How:
   * Encounter with a Former Subject/Enemy: If Harry or Stephen encounters someone who was a Project David subject (either loyal or a defector), their presence or actions could necessitate Stephen explaining the history of poaching, the need for Autoclastin, or the desperate measures taken to create new subjects. This provides immediate, high-stakes relevance to the information.
   * Harry's Powers Evolve/Malfunction: If Harry's bioelectric abilities become unstable, or he experiences a new side effect, Stephen might need to explain the intricacies of Project David's enhancements, the risks involved, and how Autoclastin was designed to manage (or control) such powers.
   * Asha's Involvement: As Asha becomes more intertwined with Harry's life (e.g., if she witnesses something unusual or becomes a target), Stephen might be forced to reveal more about the dangers they face, and the history of the "true enemies" and defectors. This raises the stakes for her character.
3. Vary the Source of Information
Stephen doesn't have to be the sole narrator of the past.
 * What to move: More details about Sam's specific reasons for leaving, the compromised missions, and the threat to Shania.
 * How:
   * Sam's Return (Later): If Sam returns (as hinted in the story bible), he could directly tell Harry about his experiences, offering a more personal and visceral account of the betrayals and the ethical dilemmas he faced. This adds a new voice and perspective to the history.
   * Akira Fujimoto's Knowledge: Akira has a past connection with Stephen and knows about his world. He could provide insights into the political or ethical landscape surrounding Project David, perhaps offering a different perspective on Stephen's actions or the decisions made.
4. Show, Don't Just Tell (Briefly)
While full flashbacks can be tricky, short, impactful glimpses can be effective.
 * What to move: The conditions of the lab, the other children, the early experiments.
 * How: Harry could have very brief, almost subliminal, sensory flashbacks triggered by specific events in his present. A sterile smell, a certain type of humming machinery, or even seeing children playing in a particular way could trigger a quick, unsettling memory that then prompts a question to Stephen.
Example of a Revised Flow (incorporating some of these ideas):
 * Current Scene 3 (Chapter 2): Stephen explains the atomic bomb context and the general idea of Project David's purpose (preventing war). He hints at Truman's other decision.
 * New Scene (Chapter 3/4): Harry's Curiosity: Harry, intrigued by "True Man," researches Truman for a school project or just out of personal interest. He discovers Executive Order 9981. He brings this specific document/information to Stephen.
 * Revised Scene 3 (Chapter 4): Stephen's Focused Explanation: Stephen is impressed by Harry's initiative. He then explains the direct connection of the EO to Project David's early phases (disabled veterans, high failure rates, the search for volunteers). This leads into the ethical concerns and the fear of "eugenics."
 * Later Scene (Chapter 4/5): The Autoclastin Revelation: Perhaps Harry finds an old, coded file in Stephen's workshop related to "Autoclastin." This forces Stephen to explain the "Operation Warp Speed," the dependency, and the stripping of rights. This is a more shocking, personal revelation for Harry.
 * Even Later Scene (Chapter 5/6): The Child Subjects & Sam's Story: Only after Harry has processed the Autoclastin information, and perhaps after a new threat emerges, does Stephen reveal the desperate shift to child subjects. Sam's full story, including the threat to Shania, could be held back until Sam himself returns, or until a specific event makes it critically relevant.
By breaking down the information and distributing it across different scenes, triggered by Harry's actions or unfolding plot points, you can maintain narrative momentum and make the revelations feel more impactful and earned.


At this point, I've given Gemini one more scene not yet uploaded here, ie. on child subjects of project David. I think Gemini's advices are valid. So, expect me to make some changes to the story.
I think I've got a solid back story for Harry's existence. I only need to reveal it more slowly based on Harry's current situation in the main story, which was originally set to around the end of previous century.
« Last Edit: 26/07/2025 22:27:46 by hamdani yusuf »
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Re: Universal Utopia: the series WIP
« Reply #106 on: 26/07/2025 23:51:10 »
Quote
Do you think I gave too much information at once through Stephen's story, known as info dumping?
Way back in this discussion I gave you the screenwriter's mantra: show, don't tell. And after umpteen pages of teenage prose, your chatbot has agreed - though only after you prompted it!

And beware of jump-cuts that challenge continuity
Quote
The afternoon sun streamed through the kitchen window as Harry walked in, dropping his backpack by the door. He found Stephen out in the barn,
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Re: Universal Utopia: the series WIP
« Reply #107 on: 27/07/2025 00:12:52 »
The morning bell rang, signaling the start of first period. Harry, Asha, and Rowan walked together down the bustling hallway

Then

The morning bell rang, signaling the start of first period. Harry settled into his seat

Your chatbot just assembles stock phrases with no concept of style or consistency! Write it yourself, and avoid instant rejection!
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Re: Universal Utopia: the series WIP
« Reply #108 on: 27/07/2025 00:18:10 »
Rodents do occasionally attack power cables, but they only eat the plastic, not the copper conductor. So rat damage wouldn't break the protective earth wiring of a refrigerator. And it's unlikely that they'd gnaw plastic in a kitchen, except to get into a food bin.

Fact is that you seem to have a good story that is being unsystematically wrecked by a chatbot.
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Offline hamdani yusuf (OP)

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Re: Universal Utopia: the series WIP
« Reply #109 on: 27/07/2025 09:42:49 »
Quote from: alancalverd on 27/07/2025 00:18:10
Rodents do occasionally attack power cables, but they only eat the plastic, not the copper conductor. So rat damage wouldn't break the protective earth wiring of a refrigerator. And it's unlikely that they'd gnaw plastic in a kitchen, except to get into a food bin.

Fact is that you seem to have a good story that is being unsystematically wrecked by a chatbot.
Copper is not that hard for rodents to chew on, especially when the strands are small. I've seen some real life examples.

https://youtube.com/shorts/xKjK2x6TXnE?feature=shared

They don't cut through live wires most likely because they got shocked before finishing the job. It's not the case with ground, neutral, or low voltage signal cables.
« Last Edit: 27/07/2025 14:47:02 by hamdani yusuf »
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Re: Universal Utopia: the series WIP
« Reply #110 on: 27/07/2025 10:17:08 »
Quote from: alancalverd on 27/07/2025 00:12:52
The morning bell rang, signaling the start of first period. Harry, Asha, and Rowan walked together down the bustling hallway

Then

The morning bell rang, signaling the start of first period. Harry settled into his seat

Your chatbot just assembles stock phrases with no concept of style or consistency! Write it yourself, and avoid instant rejection!

I've got a glitch there, seemingly because the conversation has become too long, perhaps exceeded the token limit. The first scenes got lost and cannot be retrieved before I uploaded here. That's why I had to give new prompts.
Plot holes, typos, bloated sentences will be fixed from second draft onward. At this point I just want to put the core ideas on screen to have something to improve. I can't improve blank pages.
« Last Edit: 27/07/2025 11:46:14 by hamdani yusuf »
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Re: Universal Utopia: the series WIP
« Reply #111 on: 27/07/2025 18:33:43 »
Quote
They don't cut through live wires most likely because they got shocked before finishing the job. It's not the case with ground, neutral, or low voltage signal cables.
They don't eat copper because it tastes foul, has no nutritive value, and is poisonous. The youtube clip shows cables that were under mechanical stress and parted when the plastic was removed - fairly common. There's even a power cable in the bundle, with all three conductors severed.
« Last Edit: 27/07/2025 18:41:07 by alancalverd »
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Re: Universal Utopia: the series WIP
« Reply #112 on: 27/07/2025 18:36:10 »
Quote
Plot holes, typos, bloated sentences will be fixed from second draft onward.
Why not save yourself the effort and just write it yourself?
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Offline hamdani yusuf (OP)

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Re: Universal Utopia: the series WIP
« Reply #113 on: 27/07/2025 23:19:22 »
Quote from: alancalverd on 27/07/2025 18:33:43
Quote
They don't cut through live wires most likely because they got shocked before finishing the job. It's not the case with ground, neutral, or low voltage signal cables.
They don't eat copper because it tastes foul, has no nutritive value, and is poisonous. The youtube clip shows cables that were under mechanical stress and parted when the plastic was removed - fairly common. There's even a power cable in the bundle, with all three conductors severed.
They are not eaten. Here's an explanation by chatgpt, which matches with science articles I read decades ago.
Quote

Rats and mice chew copper wires not because they want the copper itself, but because of their natural instincts and behavior. Here?s why:


---

✅ 1. Constant Teeth Growth (Main Reason)

Rodents? incisors never stop growing (can grow 2?3 mm per week).

They must gnaw on hard objects (wood, plastic, or wires) to keep their teeth trimmed; otherwise, their teeth would overgrow and make eating impossible.



---

✅ 2. Texture & Accessibility

Wire insulation (PVC, rubber, or polyethylene) is soft and easy to chew.

The copper wire inside provides a hard surface that helps wear down teeth efficiently.

The video description says it was caused by rats.
In the background you can see something like a VGA cable typically used in old computer monitor. So it's unlikely they were broken by mechanical moving parts.
« Last Edit: 28/07/2025 16:02:53 by hamdani yusuf »
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Offline hamdani yusuf (OP)

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Re: Universal Utopia: the series WIP
« Reply #114 on: 27/07/2025 23:28:49 »
Quote from: alancalverd on 27/07/2025 18:36:10
Quote
Plot holes, typos, bloated sentences will be fixed from second draft onward.
Why not save yourself the effort and just write it yourself?
Why not?
I'm reformatting the draft to a story grid in spreadsheets, following an advice I posted in my other thread. One sheet, one story book. The plot is split into two columns. One for the events in current timeline, while the other is for the events in the past told to the main character. I try to avoid head hopping, which can confuse readers.
AI can help save time, especially for repetitive tasks.
« Last Edit: 27/07/2025 23:33:54 by hamdani yusuf »
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Re: Universal Utopia: the series WIP
« Reply #115 on: 27/07/2025 23:41:06 »
If you rely on a chatbot for information about rodent behavior, you will end up sorely misled, How do you think a rat knows that there is a copper wire inside a PVC sheath? There's plenty of other hard material around if they really wanted to grind their teeth, and I don't think there's any evidence of wild rodents gnawing rocks. PVC or rubber has the texture of food, and rats quickly learn that a lot of food is stored in plastic containers, so it's sometimes worth having an experimental nibble, but a rat in a kitchen surely wouldn't waste his time eating an earth bonding wire - even school food is better.
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Re: Universal Utopia: the series WIP
« Reply #116 on: 28/07/2025 08:48:53 »
Quote from: alancalverd on 27/07/2025 23:41:06
If you rely on a chatbot for information about rodent behavior, you will end up sorely misled, How do you think a rat knows that there is a copper wire inside a PVC sheath? There's plenty of other hard material around if they really wanted to grind their teeth, and I don't think there's any evidence of wild rodents gnawing rocks. PVC or rubber has the texture of food, and rats quickly learn that a lot of food is stored in plastic containers, so it's sometimes worth having an experimental nibble, but a rat in a kitchen surely wouldn't waste his time eating an earth bonding wire - even school food is better.
They just chew whatever available for them. There's no need to complicate.
It's not a rare occasion. The presence of food crumbs only increases the probabilities of rodents and wires in the same location.
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Re: Universal Utopia: the series WIP
« Reply #117 on: 28/07/2025 14:41:26 »
The main plot of the story is quite simple. A genetically enhanced human save the world from destruction.
The reason for genetic enhancement is because most people are not interested in stories about ordinary life, which they can experience themselves. They are typically more interested in extraordinary stories, to experience something new.
The part about saving the world is to make the story related to most people. They won't care about stories unrelated to them whatsoever.

Initially, I tried to describe the back story quickly so the readers can follow the main plot without too much confusion. But it turned out that the back story itself became interesting in its own way. So I think I'll spend some more time to develop and polish it a little bit.
« Last Edit: 28/07/2025 15:56:49 by hamdani yusuf »
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Re: Universal Utopia: the series WIP
« Reply #118 on: 28/07/2025 15:10:15 »
As I said, the plot and your premises are excellent, but your chatbot turns them into unreadable garbage.
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Re: Universal Utopia: the series WIP
« Reply #119 on: 28/07/2025 15:54:16 »
I think the genetic enhancement idea popped up after watching many action movies where the main characters were shown to easily defeat their enemies who were more numerous and well equipped. There were no explanation for how they get those superhuman abilities besides being former elite soldiers who trained hard and some natural talent.
Their flashy actions are indeed interesting. But no normal human can pull them off without breaking physical laws or probabilities. Somehow the enemies became too slow, weak, or stupid when facing against the heroes without any plausible explanation.
« Last Edit: 30/07/2025 07:54:10 by hamdani yusuf »
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