We're open to your questions on the Naked Scientists this week, finding out how photosynthesis works underwater, exploring the sex lives of barnacles and discussing if rockets punch holes in the ozone layer. Plus, a viral cause of hypertension, how bees stick to petals like velcro, and a new, super-dense deuterium - 130,000 times denser than water! We hear about the new generation of eBook readers, and in Kitchen Science Dave vacuums his bathroom scales to weigh the air!
In this episode
Why are electric kettles so noisy?
Chris Smith - Ah, yes my kettle is no exception and the reason that kettles are noisy, they make that sort of thumping and bashing noise as they boil and then the noise intensifies as they warm up and then it goes silent as they boil. It is because of the way that the heat is being transferred into the water. So you have an electric element inside the kettle, a high current is passing through that element which makes it get hot. The heat from the element is therefore transferred by convection and conduction locally onto the water molecules around the element; they then get excited and get hot. So you have a bubble of hot water around the element which tries to expand and it also floats upwards away from the element because, of course, warm things rise but as it rises of course it loses its heat again to all of the surrounding water. So this bubble of water and water vapour collapses in on itself very quickly and that's cavitation and you get a shocking, sort of knocking noise. So those thumps that you hear and the sort of 'shhh' hissing that you hear, as the water vapour bubbles collapsing on themselves and emitting some sound waves, that's what the sound is.
Dave - Sounds of the bubbles, as the water is boiling, forming little bubbles of steam and as they rise up in the colder water they shrink and collapse and then smash into one another and make lots of noise. So it gets a lot quieter once bubbles get all the way up to the surface and they stop cavitating.
Helen Scales - It makes more noise I think when I have less water because I try and have as little as I need for a cup of tea, obviously covering the element but not lots more to save on energy and I think that's noisier. Chris Smith - It could be there's a bigger rezonant cavity inside the kettle because the bubble makes a sort of note inside the cattle and if you got lots of free space then the air will help to move around and bounce and sound around inside the kettle like an echo chamber. So that might be why you are hearing more sounds, probably what's going on.
Do Fish Sleep?
I have got a question for you Helen here. It is from Glenn Colson who says: 'Do fish sleep?'
Helen Scales - Well I think Diana talked about on Question of the Week a couple of weeks ago about whether fish have eyelids and they don't. So can they sleep? The answer is yes, they can but it also depends on how you define what sleep is because in humans the transition into sleep involves changes in the patterns of brainwaves in an area of our brain called the neocortex and fish don't really have the same development in their neocortical region as mammals, really.
So it's kind of difficult to say in the same way what sleep really means for fish but they do. If you count up things like a reduced metabolic rate and slowing down activity then they do seem to sleep and Zebra fish, which are fresh water fish, have been studied in the laboratory. If you watch them, and I think this is rather sweet idea that. You can watch them during the day and they will actually sort of doze and their tails droop down and they stop moving around at certain times of the day and they do seem to sleep.
That's one thing and in Antarctica, actually only last year they discovered the first hibernating fish and apart from mudfish that aestivate and keep themselves alive when things dry out. In Antarctica they actually slow down and stop feeding and their heart rate slows down. They used heart rate monitors on these fish to see what was going on and we think that it was probably because it gets darker in the winter in Antarctica. In fact it gets completely dark because there's no sun and they find it hard tracking down their prey because this prey is still out there but they are visual hunters and without the light around they find it very difficult to find their food so they sort of stop.
Chris Smith - They just sleep.
Helen Scales - And they're a bit like bears. Some bears don't sleep the entire winter. They will actually kind of wake up every few weeks, have a little wander around, find a bit food, go back and sleep again. That's what these Antarctic cod seem to be doing as well.
Chris Smith - It's quite interesting because Glenn has written a few things he spotted and this question was provoked by things he actually saw himself. He says: 'A few years ago I was on a night dive in the sea of Cortez and we actually think we saw a fish sleeping in a number of different ways. There were fish in caves or nooks that were awake but only slightly responsive. There were also fish lying on the sea floor looking like they were dozing soundly and they weren't at all perturbed by our diving light and there were others that had wrapped themselves in a cocoon of slime that seemed to act almost like a protective blanket.'
He says, 'I suspect they have nightmares as well because as we watched a large moray eel swam slowly across the bottom of the seafloor stopping to sniff prospective meals as they were snoozing and then choosing his favourites but the moray left the blanketed fish alone.' A wrass he believes (which he found interesting) because he said that the eels and they normally find it quite tasty.
Helen Scales - Yes, they are parrot fish and they produce this kind of sleeping bags and we do think that stops them being able to smell, the predators can't smell them but there are other fish that come awake at night. In fact if you go night diving you see a completely different eco system really because the ones that were sleep during the day tend to come out. They are often coloured red because they actually, that means they can't be seen at night because the red colour is absorbed when light is absorbed in the water. So you see kind of a shift change in day and night fish when you go night diving.
How do re-writable CDs and DVDs work?
Dave - Okay. A normal CD works by just having a sheet of aluminium with lots sort of pits in it. You make the pits by having a glass. You etch a glass thing which you push into the sheet of aluminium, that makes the bumps in the aluminium and then shine a laser on it. Then they get reflected differently from the pits and tops and bottom of the pits and you can read that information and then that information gets turned into sound and you can hear it.The sheet of aluminium is a shiny thing. It's encased in polycarbonate and so it's nice and protected. A recordable CD works by having the same polycarbonate disc. They have a layer of dye over the top. This dye is sensitive to light and we have a shiny thing behind it. There's various different kinds of dye with different - some little better than others and survive a long time that's why you have different colours of CDs and CD-Rs and so it changes colour.Chris Smith - Oh so when you zap it with a laser rather than burning hole in it what it actually does is changes the dye configuration so that what the reader is looking for is a dark spot rather than a hole.Dave - Yes, and the dye changes colour.Chris Smith - And then when you come along with another laser you can what, reset the dye to it's original colour which overwrites the.Dave - I think they then hit it with a different pair of laser which heats it up to a different temperature which then re-sets it and then it cools down slowly and so it zeros everything and then you can come along with the second type analyser and we rewrite it.
Do cold feet mean more colds?
Chris Smith - My own take on this is no, because I have chronically cold feet. But they say "cold feet and cold hands - warm heart" so I am all right. But there's no real evidence connecting going out in the cold with catching a cold. It's one of those urban legends that gets trotted out, "don't go out with wet hair because you might catch a cold."The only real evidence in this favour was there was some studies done in Scandinavia in people who were dong very severe exercise and they found that in those individuals, exposed to very cold extremes as well, taking some vitamin C did help to ward off colds, but on the whole getting cold doesn't increase your risk. It's actually physically being exposed to the pathogen that increases your risk.The only sort of exception to that is if you get very very cold and you get so cold that you get damage to your mucus membranes, your linings of your nose in your mouth, then of course you might make yourself, if you get cracked skin or break down of the mucus membranes more vulnerable to say a bacterial infection coming in on top. So you have to be careful for that but there's not actually any evidence connecting getting cold or washing your hair and catching more pneumonias or colds or viruses. So you are probably okay Emil.
30:33 - Tech Update - E-Books and E-Readers
Tech Update - E-Books and E-Readers
with Chris Vallance, BBC Technology Correspondent
Meera Senthillingham - Yes, I am at the BBC television centre in White City in London with our tech expert Chris Vallance. How are you Chris?
Chris Vallance - I am fine, although the sun seems to have disappeared today, doesn't it? After such a lovely week and then we sat outside and it's actually grey and miserable but there we go, that's British summers for you...
Meera Senthillingham - Well, other than the horrible weather what have you got lined up for us in terms of technology this month?
Chris Vallance - Well, when the weather closes in there's nothing better than to curl up with a good book. Of course there has been lot of tech excitement around the launch of the latest version of Amazon's E-book reader with a bigger screen.
Lot of excitement about whether e-books are one of the ways forward for publishing and it's not just Amazon that are in there, there are number of other companies vying for this space. We got Sony. We are even expecting a couple of British entrants into the market; two E-book Readers due out maybe later in the year, one from a company called Cool-er and the other one from a company called Plastic Logic which I believe that technology has been featured on the Naked Scientists before, so a lot of excitement in this space.
Publishing and technology have been well developing hand-in-hand for a while now. A lot of publishers are starting to get into social media in a really big way. as a way of marketing books, as a way of engaging with fans, things like YouTube, Twitter, Blogging, all of that publishers are starting to embrace.
I have been speaking to one of the guys, if you like, 'leading the charge' into this field in the publishing industry. His name is Jeremy Ettinghausen and he is the digital publisher at Penguin Books.
Jeremy Ettinghausen - For some authors blogging and going on Twitter and making videos on YouTube has given them routes to get closer to their audience and engage readers outside the very specific work of their book.
Chris Vallance - For those authors that do engage in it, what's in it for them?
Jeremy Etthinghausen - It allows them to tell the readers where they are going to be if they are doing events, tell them news about publishing events, when their new book's coming out, special offers, that sort of things but it allows the reader to get closer to the author and that in terms of pure kind of commercial things can't help but sell more books.(34:10).
So 'We tell stories' was the project where we paired up authors and game designers. We had six stories running over six weeks, the first one was told on Google Maps and you could follow the character as he explored England and had several adventures.
The last story was by Mohsin Hamid who was short-listed for the Booker Prize last year and he made a very elegant take on a choose-your-own-adventure story and the idea of you know, very literary, prize-winning author creating a kind of detailed schematic for the structure of a choose-your-own-adventure story was absolutely thrilling.
Chris Vallance - And that was Jeremy Ettinghausen talking about how social media is important for publishers.
Meera Senthillingham - Now what about the authors involved in this technology?
Chris Vallance - Well, it's fair to say not all authors are interested in this at all but I have been speaking to one, he uses Twitter quite a lot to engage with fans and to talk about his work. His name is Nick Harkaway and he is the author of the book 'Gone away world'.
Nick Harkaway - The wonderful thing about Twitter is not only is it a kind of level playing field where your reader is confined to you and you can talk to them and you don't have to worry about this concept of the 'fan', you can just be people talking about stuff that you like but you can also find authors and you can track down people you admire and say 'I really like you', and then feel very embarrassed about it afterwards but it works very well.
I think the really important thing is to be genuine. There are lot of people on social networking sites and Twitter in particular who have that publicist kind of Twitting for them every second and its very obvious and it's slightly disappointing. You can't just kind of implant the idea that they must go and buy your book in someone's head, like an alien egg, you just leave there; it will hatch and you get sort of two pounds nienty nine or whatever your royalty is. You have to be there and engage in the discussion and that's probably the most important thing.
Chris Vallance - And it's not limited by genre?
Nick Harkaway - Ben Ocre-twitted a poem line-by-line the other day and P.D. Smith who wrote 'Doomsday men' - fantastic book, is constantly Twittering. You find everybody. Susan Hill has a weblog, it's all sorts.
Chris Vallance - Are there any dangers?
Nick Harkaway - Yes, that you spend too much time and have too much fun, other than that I think it's no more dangerous than taking a bus.
Chris Vallance - That was author Nick Harkaway. So we got two developments - one, the hardware, the advent of e-books and the other in the way in which you engage with your favourite writers, that you might be able to chat them on Twitter. You don't have to write a letter to the publisher anymore.
Meera Senthillingham - Now what are your thoughts on this Chris, how popular do you think e-books will become?
Chris Vallance - I don't know. There's something about the experience of having a book that's unique to the physical product, the feel of the book, the way it's published, the cover and all of that and let's face it, you don't want to start reading your e-book in the bath and books are kind of - the fact that they're slightly disposable and get dog eared, that's kind of part of the fun of a book, isn't it?
But on the other hand books do take up a lot of space. I mean in my own home practically every surface is covered with books. It would be a lot nicer if I could just reduce it down into an electronic format. So I guess there are pros and cons.
I think what's interesting is the way that technology is trying to replicate some of that physical experience of having a book, the screens on these devices are reflective they're not luminous. They feel more like paper they're useing this e-ink technology.
I think the really interesting thing would be how these devices effect sales of publications and newspapers. Obviously that's the magazines and newspapers are having a difficult time of it at the moment. Will reading them on e-books help rejuvenate that industry? I think a lots of interesting questions. I don't know the answer to your question, very long way of saying that. I don't know whether they will replace existing books. My guess is probably not.
Helen Scales - So E-books may not replace genuine old-fashioned books but they will certainly save us some space around the house and it's great the authors can now interact with their readers, gives me something to think about as well because my first book is coming out later this year.
That was Chris Vallance talking to Meera Senthillingham about the latest technology in the field of electronic books or e-books.
Chris Smith - I don't think that these electronic formats are quite as tangible. They are not as nice as the paper book. I just can't feel I can bond with them the same way as I can with...
Helen Scales - No, you can't, and you need them on your shelves and I think, yeah you say, Amazon never got rid of bookstores still. I mean they are obviously going through problems at the moment but economic problems at the moment but we still love to go and browse on bookshops, don't we? There's a certain feel and smell about it that we all love.
Chris Smith - Absolutely. This is the Naked Scientist with Chris Smith, with Dave Ansell and with Helen Scales. It's our science pone-in show. If you have any science questions for us then do drop us a line. It's 0845 30 50 007 on the phone, our text number 07786 20 1960 - the email address for the program as ever - Chris@thenakedscientists.com.
How does evolution produce new genes?
Chris Smith - So in other words you've got huge panoply of life on earth, all of it descended from some ancestor that must have got started something like 3.9 billion years ago, that's when we think life started on earth, how do we have this massive and dramatic genetic diversity we have on earth today?
Well the answer is that we use as our genetic material DNA and some organisms use RNA, they are two related molecules and the basis of evolution and inheritance is that that genetic material has to be copied and passed on from one generation to the next in gametes, in other words, sperms and eggs.
Now in copying the DNA, a job which is done by enzymes - miniature machines in cells that read a DNA chain and then make an identical (hopefully) copy of it; then you end up with faithful transmission of the genetic message from one cell to another. But occasionally mistakes occur and there are a variety of reasons why mistakes can occur. One of them is that those enzymes that do the copying make a mistake, it's like me copying a book - I've got a book opened in front of me and I'm reading off the book and making a new copy in a second book, I might miss-copy and make some mistakes. Secondly, there are things coming in from the environment that can damage DNA. There are drugs, there are chemicals in the environment; there's also radiation in the environment that could be ultraviolet radiation, it could be chemicals you take into your body, you could be living in Aberdeen and breathing the radon gas that comes out of the granite there. Anything radioactive that gets into your body can also damage DNA. If that happens to the cells that are making your gametes, your sperms or eggs, that can lead to mutations - changes in DNA. This can cause DNA to rearrange itself, bits of DNA can get copied or duplicated, and this means that there's the opportunity for new genetic combinations to emerge; and once they emerge they can then get co-opted or changed or manipulated in order to do other jobs; and we know this happens because if you look in human DNA you can find the ghosts of genes long dead hidden in our genetic closet. You can find for example, lots of old genes that used to make our haemoglobin which are now no longer effective, and no longer functioning. They're called pseudogenes. But this is where we have copied the genes somehow and then its becomes deactivated but it's still in the genome. Now some other process could come along and reactivate that gene and use it for something else so it's a way of making genetic diversity.
Another way this happens, is something called transposons, you have bits of genetic material that can literally jump and they take themselves out of one bit of your genetic material and put themselves somewhere else carrying bits of DNA with them, and so this is another way of rearranging your genome and producing new forms of genetic sequences which can then become other important genes. A final way is viruses, because viruses - certain kinds of viruses actually physically insert their genetic material into the DNA of their hosts. HIV does that, other viruses could - retro viruses do that and a really elegant example of this is that there is a certain sea slug, it's called a Sacoglossan sea slug which eats algae and when it eats that algae on the sea floor it actually gets the chlorophyll containing chloroplast - these are tiny bodies inside the algae that contain the green pigment that enables the algae to trap sunlight, and the slug gets hold of those chloroplasts and puts them into its own skin and keeps them alive so the slug can also use the energy of sunlight to get energy. The interesting thing is that the slug has had to steal some genes from the algae in order to power those chloroplasts in its own cells, and the only way researchers think that could happen is if a virus added the genes to the slug in the first place.
So the answer is, it's very complicated but it seems that with nature and evolution, almost anything is possible.
Could hubble see footprints on the moon?
Dave - Well, Hubble is an incredible telescope but looking up it's resolution - I reckon it has a resolution of 0.05 arcseconds, that means it can distinguish two objects which are 0.000013 degrees apart, any closer together than that and they sort of merge into one object. Now - Chris - In practical terms what does that mean? Dave - That means if something - the distance of the moon away from us, Hubble is essentially near the earth its very level, but -Chris - So about a quarter of a million miles to the moon?Dave - About 384,000 kilometres-that means you can see something 9 to 10 metres across on the moon, so probably not.Chris - That would be a very big footprint - Bigfoot literally. Okay, thank you Dave!
44:05 - How did the waggle dance evolve?
How did the waggle dance evolve?
We put this first to Andy Barron, Lecturer in the Department of Brain Behaviour and Evolution at Macquarie University. So how did the waggle dance evolve? When a forager bee has found good food, she comes back to the hive, she performs a waggle dance and these movements in the dance - very precisely and symbolically represent the direction and the distance to the food source. And then other bees are following that dancer and they read those directional-specific movements and then they head out of the hive and go and find the food. Now what we know is that performing the dance and reading the dance is entirely instinctive. So we have to infer that this whole complex, symbolic communication system is somehow programmed by the honeybee genome. Now how a genome programmes behaviour with this level of complexity I have absolutely no idea, and I don't think anybody has any idea; but there's nine honeybee species, and the dances of the dwarf honey bee:, Apis Florea - these are the most primitive honeybees - they have less complex directional information than the European Honeybee; the honeybee that we're familiar with. Maybe after millions of years this alerting signal was refined to add more space-specific information and over time you get something of a dance and symbolic as the waggle dance. But again, look, as to how the bee genome and how the bee brain have been modified by the evolutionary process to give bees this dance language, really we still have absolutely no idea, but it's a great question - it is an absolutely fantastic question.We also asked Jurgen Tautz head of the Bee Group at the University of Wurzburg in Germany.The recruitment of nest mates to food source is very important in all social insects. Most primitive we find this represented in bumblebees; where forager bumblebees, after returning to the nest, simply are just alarming their nest mates to give them the simple message: I've found something interesting to go for but there is no information whatsoever about the location. The next step then we find in stingless bees - so experienced bees which know where to go and non-experienced bees leave the nest together and they arrive at the desired location in groups. Then we find in the honeybees this dance language where bees inside the nest, tell their nest mates through this dancing movement about the geographical location. Between the stingless bee recruitment and the honeybee recruitment there's really a big gap in evolution. The reason why I think that the dance language as you find in the honeybee has evolved and not like in bumblebees or stingless bees has also to do with the precision of the nest they are building. The combs make the surfaces on which the dance is performed and these combs are extremely regular and they hang absolutely perpendicular so the direction of gravity inside the nest can be used as a direction of reference. Bumble nests are very sloppy, and stingless bees' nests, they are also not very regular so there would not have been the opportunity to evolve such a language in other closely-related species.
53:30 - Do rockets punch holes in the ozone layer?
Do rockets punch holes in the ozone layer?
Chris Smith - Well, Fran, we know that the major culprit for making holes in the ozone layer are chemicals called CFCs - chloro-fluoro carbons. These are agents that were used in aerosols - even in asthma inhalers - but also in fridges as refrigerants; they were used in huge amounts until the Montreal Treaty came in, in the late 80s to try and ban them.
What provoked that was that a group of scientists including Brian Gardner (who appeared here on The Naked Scientists a few years back) had actually noticed this massive hole opening up over Antarctica; this hole actually grew to be the size of Australia at its peak.
Luckily it did eventually stop growing, and it's actually beginning to shrink a little bit now and that's because we have stopped using these CFC chemicals.
The reason that they concentrate down in the Antarctic where the hole formed is because the Antarctic is an isolated continent. It's completely surrounded by ocean and this creates something called a circumpolar current, and this has a whirlpool-like effect on the air; this draws in and concentrates these CFC molecules over the Antarctic during winter, when it's very dark.
The CFCs then accumulate in high clouds over the Antarctic. When the sun comes out the following spring, UV in the sunlight attacks and breaks down the CFCs and they get turned into reactive chemicals that can react with ozone and deplete it. They are, by far, in a way the worst culprit.
As far as rockets are concerned, we don't send enough rockets and spaceships up into space to make a huge difference, I wouldn't have thought, in grand scheme of things.
So I think although we have to be environmentally conscious, the benefit of sending rockets into space in terms of what they can do for satellites and furthering research is far greater than the small bit of damage they might make to the ozone layer.
How does photosynthesis work underwater?
Helen Scales - That's a great question; fundamentally photosynthesis actually began in the oceans - underwater - because that's where plants and algae first evolved. They then moved onto land.
So light definitely gets into the upper layers of the ocean, and that's where the process of photosynthesis traps that light and converts it into energy - into carbohydrates really, that the rest of the food chain relies on.
Algae has to maintain itself in the upper layers of the ocean because once you get further down into the depths of the ocean, first of all red light gets absorbed which is why the oceans look blue and green colours. Light does get down there but it has to maintain itself up in the high levels.
So if you look, for example, at coral reefs, they have plants - algae - living inside their tissues, and those types of coral have to maintain themselves by growing on big reefs, depositing calcium carbonate in great big layers that build up and build up and as sea levels rise, they have to keep up their pace to keep themselves in that lovely, sunny, gorgeous bit of tropical oceans where we all love to go snorkelling and diving.
But as you go deeper down, they tend to peter out, and there are some types of corals actually that don't have photosynthetic algae in their tissues; they actually rely on catching their food like other animals. They catch it from the water, and those are the ones that live deeper down.
So you do see this zonation. You see similar things on the beach with different types of seaweed using different types of pigments to harness light both in the open areas where there's lots of light and then lower down where light start to get absorbed.
Dave - Is that why seaweed is a sort of reddish colour, because it doesn't absorb red if it's deep under water; blue light can get all the way down so it absorbs blue but not red?
Helen Scales - Some of the seaweeds are red seaweeds, that's right and that's a kind of branch of the algae. They have different types of pigment that do use up the green and the blue lights and red is reflected back and that's why they look red.
Chris Smith - So the bottom line is that, basically, there's very little difference between the photosynthesis that's occurring in the oceans and the photosynthesis on land because it's all the same process. It's just been tweaked a little bit to make use of the light that's available and there is slightly more light of different wavelengths available out of the water than in it but the bottom line is it's pretty much all the same.
Helen Scales - It is and it is very important in the oceans. So much photosynthesis goes on and carbon dioxide gets fixed in that process in the oceans and we know that's really important too.
Chris Smith - Of course, because the oceans are the biggest carbon dioxide sink of the whole planet, aren't they?
Why store propane but not natural gas?
Dave - It's all about boiling points really.
If you look, the bigger the molecule, the higher temperature it will boil at. So butane will boil at sort of -0.1 degrees Centigrade, so you don't need very much pressure to keep that as a liquid at room temperature so you can have really quite weak tanks.
Propane boils at about -42 degrees Centigrade, which means you have to have 10 or 12 atmospheres of pressure to keep that a liquid at 40 degrees Centigrade. But that's not difficult to make with a small, light steel tank; and it's quite practical to carry around, that would be sensible.
Natural gas is methane, which boils at -161 degrees Centigrade, roughly. To keep that a liquid at all you have to have tanks that are strong enough to survive 200 to 220 atmospheres of pressure, and from the experiment that we were doing earlier that's going to involve about 2,000 tonnes of pressure on every square metre of that tank, so it's going to have to be made up incredibly strong steel, it's going to be very heavy. It just makes it expensive and impractical to carry around - and very dangerous to carry around in vehicles.
Chris Smith - So that's why we have it coming down the pipeline but we don't store it locally. We use propane, much easier to compress and get lots of it into a small space in a tank.
Dave - That's right. In a pipeline it never has to be at a very high pressure. You never have to liquefy it...